"I don't know what he was thinking," smiles Parr. It was incredibly painful but I realised in a flash that if I started emoting I would lose control of the situation. Screenings of Rules and Displacement Activities Parts I, II and III; Performance presentation from George Brecht's WaterYam, Institute of Modern Art, Brisbane. Stiles, Kristine, and Peter Howard Selz. It was that process of experiencing that detachment and self-control that became the basis of me doing performances. It allows me to organise memories and experiences that can't be organised in the absence of doing those things. The kids would all recoil in horror – it was my way of controlling a situation and carving out a distinct space for myself that I could then inhabit and in a way restore my dignity. He particularly used his body as a performative tool, often using his prosthetic arm and testing the physical limits of his body through endurance challenges.Of his reasons, he states "I started drawing in 1981 because around that time I stopped doing the body art performances that I'd done throughout the 1970s. The Bridge, performance, Art Gallery of New South Wales, Sydney "It was utterly confusing to me," he says. ""It's very schizophrenic being an artist and trying to be an innovator as an artist in a culture like this," he says. "In fact, I feel exactly the opposite. "We didn't really have a name for what we were doing and neither I nor the audience really understood what was happening.Finally, as the remaining tea in the pot grows cold and the light outside begins to fade, I wonder what it is really like being Mike Parr. "A stitch in time" was another of his performances, a live web cam showing Parr having his lips and face extensively stitched with thread into a caricature of shame. Drawings, Art Projects, Melbourne I had to earn a living. "It was very complex and as I grow older it becomes more complex in my mind," says Parr of his memory of those years. The exhibition reflects that.


Wikipedia articles with SNAC-ID identifiersOrigins, Originality & Beyond, The Sixth Biennale of Sydney, Art Gallery of New South Wales; Pier 2/3, Walsh Bay, Sydney Survey of Recent Work, Art Gallery of New South Wales, Sydney; Perth Institute of Contemporary Art, Perth "But while Parr is best known for his performance pieces, there is also a vast body of other work from poetry to sculpture and drawing to print-making. In 2014 he was invited to exhibit at an adjunct show to the Liverpool Biennial in Britain. The White Hybrid (Fading), performance, Artspace, Cowper Wharf/Artspace, Sydney "No one in Lismore was ever going to put their underwear on display. They started to look back at me and I became increasingly uneasy. Then he often adds an element of endurance as another parameter.In the late 1960s the bank foreclosed and for a while the family ended up living in a tent. The people there would be all over me and someone would ring for a doctor or whatever.This act of "pushing back" those who witness his performances in order to give himself space was to become a constant theme.Parr insists having just one arm has been "an enormous advantage" and that the trajectory of his career would have been very different had it not been the case.Nick Galvin is Arts Editor of The Sydney Morning HeraldHe is keen to show off on the computer screen a series of photographs of the blood-spattering performance he has just done at the National Gallery of Australia that have just arrived from photographer Zan Wimberley.
Telling Tales, Ivan Dougherty Gallery, University of New South Wales, Sydney Wrong Face, Anna Schwartz Gallery, Melbourne Surely it must be exhausting? !Mike Parr | College of Fine ArtsSouthern Reflections: An Exhibition of Contemporary Australian Art to Northern Europe, Kulturhaus, Stockholm, Sweden; Konathallen Götsberg, Gothenburg, Sweden; Arhus Konstmuseum, Arhus, Denmark; Museum Tamminiementle (City Art Museum), Helsinki; Neues Museum, Bremen, Germany; Staatliche Sammlung für Kunst, Chemnitz, East Germany "I've done an enormous amount of work in the last 50 years. My experiences of being different have deeply inflected my work but my work is not a form of victimhood, it is a tremendous self-assertion and a tremendous struggle for clarity and communication." 1945, Sydney) is a leading artist who has been a vital force in Australian art for over fifty years. "That one page is turning into a script of about 100 pages. "Performance Art." Articles with unsourced statements from March 2017Tall Poppies, an exhibition of five pictures, University Art Gallery, University of Melbourne As ever, he hopes at this point a level of clarity and realisation may occur. This was to highlight the fate of the Tasmanian aboriginals, among other issues. Parr moved to Sydney and, in 1968, briefly enrolled at the National Art School to study painting. "Because you've got to survive.

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