2, 1994, Sydney, Australia,Haunted History: Tracey Moffatt and Julie Dash,Patricia Mellencamp, Discourse, Indiana University Press, Winter, 1994, USA,A Passage in Avante-Garde film (Deleuze, Deren, Moffatt),Amelia Ellen Hastie, (lecture Patricia Mellencamp) University of Wisconsin, 1994, USA,Tait Brady, Melbourne Film Festival, 1994, Melbourne, Australia,John Wojdylo, ‘Bedevil,’ Cinema Papers, No. Schur, ‘Zwischen Sex, Gewalt und Glamour,’ Prinz Stuttgart, May 1998, Stuttgart, Germany,‘Downunder-Dramolette,’ Rainer Metzge, 1998, Berlin, Germany,Sabine B. Vogel, ‘Tracey Moffatt im Württemburgische Kunstverein und in der Kunsthalle,’ Kunst Bulletin, 1998, Zurich, Germany,Conny C-A Malmqvist, ‘En givande mångtydighet,’ KUP, 6 June 1998, Sweden,Crispin Ahlström, ‘Stig in ach låt dig betraktas!,’ 6P, 28 June 1998, Sweden,Håkan Zeylon, ‘Fantasifullt om vår natur,’ SKD, 9 June 1998, Sweden,Jörgen Klinthage, ‘Konst som tänjer gränserna,’ 25 June 1998, Sweden,Jörgen Klinthage, ‘Kraftmätning mellan objekt och rum,’ Arbetet Nyheterna, 27 June 1998,Eva Ström, ‘Ruiner och agräs,’ SVD, 13 June 1998, Sweden,Marika Wachtmeister, ‘Natur som överraskar,’ Kristiansdagsbladet, 27 June 1998, Sweden,Cecilia Billgren, ‘Ruin möter besökare pa Konsthallens innergärd,’ Arbeiter, 30 May 1998, Sweden,Gunnar Bråhammar, ‘Svårbegripbart tema på Lunds konsthall,’ Ystads Allehanda, June 5, 1998, Sweden,Milou Allerholm, ‘Lekfulla utsnitt ur en filrerad natur,’ DN, 7 June 1998, Sweden,Brita Orstadius, Borås Tidning, 22 June 1998, Sweden,Ingamaj Beck, ‘Tack, men jag är matt,’ Attonbladet, 12 June 1998, Sweden,Poul Erik f, ‘Lunds kosnthalls sommarutställning handlar om naturen, bäde den,därute och den därinne - människans väsen,’ 1998, Sweden,Poul Erik Tøjner, ‘Människan och de bägge naturerna,’ Sydsvenskan June 22, 1998, Sweden,Poul Erik Tøjner, ‘Lunds konsthalls sommarutställning handlar om naturen, både den därute och den därinnemanniskans väsen,’ August 8, 1998, Sweden,Stefan Olofson, ‘Människans natur på Lunds Konsthall,’ Skånska Dagbladet, 20 May, 1998, Sweden,Birgit Sonna, Ech aus der Zukunft, ‘In der Bildgeschichte’, June 6, 1998, Stuttgart, Germany,Yens Wahlgren, ‘Allt vildare konstverk,’ Sydsveenskan, 30 May 1998, Sweden,Åke Holmqvist, ‘Med välavvägd balans,’ Norra Skan, 4 June 1998, Sweden,Lisbeth Bonde, ‘Tilbage til unaturen,’ Information Tirsdag, 30 Jun 1998, Sweden,Hakan Nilsson, ‘Gränsen mellanuppgörelse ochmani är tunn,’ Svenska Dagbladet, 7 March 1998, Stockholm, Sweden,Mario Limbach, ‘Gegen den Sturm der Bilder gestemmt,’ Südwest Presse, 8 May 1998, Germany,‘Fragen ohne Antwort,’ Deutsch Vogue, August 1998, Germany,‘Indigenous Australia in the Nations Parliament House,’ exh. 1 p. 30/31, Adelaide, Australia,Peter Birnie, ‘Three engaging ghost stories from Down Under,’ Vancouver Sun, Oct 12, Canada,Suzy Freeman-Greene, ‘Tracey Moffatt is a playful and subversive presence,’ The Age, October 1993, Melbourne, Australia,Annabel Dean, ‘The ghost in the family,’ The Sydney Morning Herald, October 28, 1993, Sydney, Australia,Lynden Barber, ‘Making her own rules,’ The Sydney Morning Herald, Oct 28 1993, Sydney, Australia,David Stratton, ‘Supernatural Vision,’ The Australian, Oct 30 1993, Australia,Henri Behar, ‘Le pillage du grenier familial - Tracey Moffatt,’ La Monde, May 1993, Paris, France,Ruth Hessey, ‘The Bedevil in Tracey Moffatt,’ Juice Magazine, Oct 1993, Australia,Jonathan Romney, ‘Festival favourites- the Guardians jury deliver their verdict,’ The Guardian, May 24, 1993, London, UK,Andrew Urban, ‘Riders of the Post New Wave,’ The Bulletin, May 25, 1993, Sydney, Australia,‘Bedevil - Tracey Moffatt,’ interviewed by John Conomos and Raffaele Caputo, Cinema Papers Vol 93, 1993, Melbourne,Claire Corbett, ‘Drama Queen,’ Rolling Stone Australia, April 1993, Australia,Deb Verhoeven, ‘Just Trust the Text, Dont Colour It,’ Art Link Vol 13 No 1, 1993, Adelaide, Australia,Susan Chenery, ‘Silent Movies,’ HQ Magazine, Autumn 1993, Sydney, Australia,Tracey Prisk, ‘Moffatt conjures up surreal imagery,’ Encore Magazine, Vol 10 Issue 20, Jan 20 1993, Sydney, Australia,Karen Jenning, ‘Experimenting with Difference,’ Sites of Difference, Cinematic representations of Aboriginalty and gender, Australian Film Institute, 1993, Australia,Marcia Langton, ‘“Well, I heard it on the radio and I saw it on the television,’ An essay for the Australian Film Commission on the politics and aesthetics of filmmaking by and about Aboriginal people and things, Australian Film Commission, Australia,Laleen Jayamanne, ‘A Sri Lankan reading of Tracey Moffatts Night Cries,’ Feminism and The Politics of Difference, edited by Sneja Gunew and Anna Yeatman Allen & Unwin, 1993, Australia,Jacques Delaruelle, ‘On the verge of saying nothing,’ exh.
106, Tel Aviv,Brigitte Paulino-Neto, ‘Tracey Moffatt,’ Paris Vogue, November 1999, Paris,Sandra Smallenburg, ‘Tracey Moffatt,’ N.R.C., 18 June 1999, Amsterdam,Erik Hagoort, ‘Schaduw van gouvernante schuift over de trappen,’ Volkskrant, 23 June 1999, Amsterdam,Laurence Hegarty, ‘Tracey Moffatt,’ New Art Examiner, October 1999, New York, USA,Jonathan Turner, ‘Tracey Moffatt,’ MonteVideo/TBA, Netherlands Media Art Institute no. 52 no. cat., Manly Art Gallery, Gold Coast City Art Gallery, Noosa Regional Gallery, Perc Tucker Regional Gallery, Rockhampton Art Gallery, Coffs Harbour City Art Gallery, Manly Art Gallery and Museum, Mornington Peninsula Regional Art Gallery, Australia,Fast Forward, exh. 58-60, June 2000, Madrid, Spain,Santiago B. Olmo, ‘Sueños de ficcion,’ Lapiz, No. 4-8,Tracey Moffatt, Paula Savage, Lara Strongman, exh. With a variety of narrative techniques, including text, collage, and set design, Moffatt explore issues of childhood trauma, Aboriginal people, and popular Australian culture. do you think the nuns are truly a sign of authority or that looking through the window that the nuns are the way out ? . cat., Art Gallery of New South Wales, 2000, Sydney,Samantha Vawdrey & Katarina Paseta, ‘Telling Tales: The child in contemporary photography (catalogue),’ Monash University Gallery, Melbourne, Australia,Wally Caruana, ‘Aboriginal Art in Modern Worlds,’ exh.
573, Pg.

39, February/March 2000, Auckland, New Zealand,Jonathan Turner, ‘Trace Element,’ Black + White Magazine, No.

beautifully written and shows some of the key ideas in this piece.

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