The 2020 Archibald could be a high-water mark for the prize, with new and indigenous artists heavily represented.
Design Partnership Australia: The Design InnovatorsYoshio Honjo, Adam with bream, Japanese kozo paper, sumi ink and suihi-enogu (Japanese pigment), 124.5 x 92 cm. The background implies traditional Aboriginal patterning, but on a closer look it contains written text containing Hoosen’s indictment of the white school system and the teaching that eradicates his culture. New Zealand is also represented by Jonathan Dalton’s portrait of fellow artist Angela Tiatia.Vincent Namatjira has been a finalist several times, and has also won other major art prizes.
Behrouz Boochani’s haunting, tortured eyes as painted by Angus McDonald, challenge Australia’s conscience.Bernadette Schwerdt: Speaker | Author | TrainerJames Powditch. Margaret Olley was an Australian artist.
Her paintings were usually of inanimate objects, or still-life paintings.
In any other year, this would be the stand out entry and a shoo-in for the prize.Demand Flow Intelligence: Market Geologists to the B2B high-value sales marketKaylene Whiskey’s Dolly visits Indulkana is a magical fantasy. This project is the culmination of an ARC Linkage Project with UNSW, University of Melbourne and University of Adelaide in partnership with the National Gallery of Australia, National Gallery of Victoria, Art Gallery of New South Wales, Art Gallery of South Australia and Museums Australia.Wendy Sharpe, who won the Archibald in 1996, has captured both the comedy and the angst of Magda Szubanski, outlined against the bushfires that claimed last summer.Do we have 60,000 undiagnosed cases of COVID?
It’s not only selfish, it’s stupid.’ What do Victoria and New Zealand have in common? ‘Her lack of ego is so appealing,’ says Quilty.
The trick is to work out which one.Archibald Prize 2020 finalist Kaylene Whiskey’s Dolly visits Indulkana.
The Spectator, 22 Old Queen Street, London, SW1H 9HP ‘If you don’t want to be kicked in the head, don’t put your head under a jackboot.
His lush, painterly style is far removed from that of his great-grandfather Albert Namatjira, and he is also more openly political.
In 2002, Olley awarded Quilty the Brett Whiteley Travelling Art Scholarship; in turn he painted her portrait to win the Archibald Prize in 2011. ‘And let’s all try to be a little bit kinder.’The solution to 2020 and beyond? The room, and the exhibition, is dominated by Writing in the sand, by Blak Douglas (aka Adam Hill). Three of them are by Aboriginal artists. Coronavirus isn’t belting our economy. She was also the subject of paintings by many of her artist friends, including Russell Drysdale and Danelle Bergstrom (that portrait being a finalist in the 2003 Archibald Prize).
They will then travel to the Tweed Regional Gallery & Margaret Olley Art Centre, Cairns Art Gallery, Griffith Regional Art Gallery, Broken Hill Regional Art Gallery, Shoalhaven Regional Gallery, and Penrith Regional Gallery. William Dobell’s 1949 Archibald Prize-winning painting of her remains one of the most popular portraits in the Art Gallery of NSW collection. Blak Douglas has painted them in the tiniest of dotted, concentric circles. Follow us on Twitter @spectator Australia's best political analysis - straight to your inboxThe Margaret Olley exhibition is quite triumphantly beautiful. Australian artist Ben Quilty met Margaret Olley when she was a guest judge for the 2002 Brett Whiteley Travelling Art Scholarship, which he won. Winner: Archibald Prize 2011.
Ben Quilty Title Margaret Olley Medium oil on linen Dimensions 170 x 150 cm Further information.
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