But not just any old thing. – The Hunger Games (Book 1)As in real life, the people that surround someone can speak volumes about their personality. Not just some of his history, but highlighting his roguish bent. That’s annoying, and people carry on the feeling of wanting to know more. They might even be a stereotype – a ruthless crime lord, say. They’re often walk-on characters. After all, a writer has only a short time to introduce and utilize them.Script Writing: 6 Tips for Writing a Movie Script that SellsMinor characters are the “little people” in the world of your novel. Beyond the outer basics of appearance, etc, delve into this character’s disappointments, loves, hates and regrets.

If characters aren’t integral to theSecond Person Point of View: What Is It and How to Use ItAn opposite approach is to use a minor character to lighten the mood. Fans vehemently protested when director George Lucas decided to re-edit the scene in later releases to imply Han killed Greedo purely in self-defense, rather than for self-preservation – and those are not entirely the same thing.It’s a common misconception amongst writers that rounded characters are good and flatter ones are bad.

Here are some ways to ensure minor characters enhance a story: Show minor characters as independent people with personalities, motivations and desires of their own. To some extent, this is a stylistic choice, too — some writing styles simply can't support or abide cartoony minor characters.

Here are some practical tips to help you write a great minor character: Exaggerated traits . When I think of minor characters that are interesting in their own right I think of the Great Gatsby.

They can affirm or unsettle ideas about a protagonist, or add the extra depth to a scene that makes it unforgettable.Alongside Luke are the main characters: Leia, Han Solo, Darth Vader and so on. The sidekick can see what the protag is blind to, offer a contrast or simply represent the sane, logical approach to problems.But a good sidekick is only believable if he/she is a complete person. This could be through their appearance, their tone of speech, how they glance at people, or their mannerisms.Let’s use the Star Wars universe as an example since it’s all the rage these days. Sticking with Star Wars, extras would be the imperial storm troopers, most of the rebel fighters, and individual Ewoks.A good way to make a minor character memorable in a short time is to exaggerate them.

If a character appears in just one or two scenes, an old acquaintance who reveals a hidden element of a major character’s personality, for example, we really don’t need page upon page of their life story in an attempt to make them ‘rounded.’ There are much more economical ways to imbue them with life – something we’ll go into in just a moment.Minor characters in your story must serve a purpose – primarily serving character, tone, or plot. To learn more about writing and developing minor characters, as well as all your characters, read my book SAVVY CHARACTERS SELL SCREENPLAYS! Impact can be direct or indirect. universe, we’ll pick the original trilogy.As long as they serve their utility – drawing attention towards other characters or plot elements – minor characters might not have a detailed back-story. The importance of these characters can often be indistinguishable from the protagonist. Make sure the wants of all your minor characters figure in some way to the protagonist’s main goal. We have to jot down their names or we forget them. If that desire, “I wish we’d seen more of [insert name], that character was brilliant,” overrides interest in the main story, then you haven’t served your book well.What’s the Score? How your protagonists treat them tells the reader a lot about the main characters. You can tell your readers that John Smith is inconsiderate, or you can show them when he dismisses his Uber driver’s attempt to make conversation.In storytelling, characters generally fall into one of four types: the protagonist, main characters, a minor character or an extra.First Person Point of View: Definition, Examples, and Tips!Enter your email address below and we'll send you a link to reset your password.By creating an account, you agree to AutoCrit'sHow to Write a Book Synopsis That Stands OutIf you write series fiction, then another good reason for not cutting the minor character is their future possibilities.So let’s take a look at a few ways you can make your minor characters matter.Had I cut her from the previous book, she would have no back story to justify her actions in the follow up, and no connection to the victim she’s avenging..This is a very interesting article. On the other side of that coin, you might hear echoes of advice that insists, regardless of how well rounded your brief visitors might be, you go to town on your story and erase every non-major character. Exaggeration makes a minor character vivid but doesn’t over-develop them. If your protagonist is a gruff, tough biker who chooses to hang around with a crowd of sensitive artists, think about the information that gives you.AutoCrit is an online manuscript editing tool that gives fiction and non-fiction writers the power to quickly and effectively self-edit their work anytime, anywhere.A common mistake when developing your story is to confuse minor characters with extras. How to Write Them. AutoCrit: The Smarter Online Book Editor for Fiction and Non-Fiction.What’s most important to remember is that minor characters should make a story better. Extras are more incidental and exist in the background. Whether you choose to make them overt, loud and disruptive or minimal, subtle and subdued, embedding each character with their own unique impact will allow even the most minor to stand out. I think I can try to make them more important. Whether it’s the main character, one of your minor characters, or one of the bad guys, watching a character undergo a daily task or routine is a great way to give the reader a sense of who they are and how they interact with the world around them. He or she is necessary to the story because this character reveals key details, motivates the protagonist, foils the protagonist, or helps define the story’s setting.

Don’t make Jabba just a little evil; make him a disgusting and ruthless slug.

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