The National Gallery of Victoria, Melbourne, is hosting Destiny Deacon’s first solo show in over 15 years (through 9 August). In the largest retrospective of her work to date, DESTINY marks the artist’s first solo show in over 15 years. Since first exhibiting at the Art Gallery of New South Wales, Sydney, in 1991, Deacon has been represented in the prestigious international exhibitions Documenta, the Yokohama Triennale, the first Johannesburg Biennale and the fifth Havanna Biennale, as well as the Biennale of Sydney and Brisbane’s Asia-Pacific Triennial of …

True to her name, in recent years Destiny Deacon has blazed an extraordinary trail. Partly autobiographical and partly fictitious, her acerbic … She has exhibited photographs and films across Australia and also internationally, focusing on politics and exposing the disparagement around Indigenous Australian cultures.She is credited with introducing the term "Blak" to refer to Indigenous Australians' contemporary art, culture and history. Ballard for the Brent Biennial became all-too relevant during lockdownDrawing its title from the work of poet Iman Mersal, The Crack Begins Within gathers artists who largely identify with the Global South‘London Became a Strange Place... a Different Set of Rules Was Applicable’The Dutch-Filipino artist traces evidence of the current global climate crisis through the changing life of islanders in the Visayan SeaThe Collective Using Gardening to Strike Up ConversationAn exhibition of work by locally based filmmakerYour Guide to Exhibitions in Shanghai and BeijingMixing fiction writing with art making, ‘Words at an Exhibition: an exhibition in ten chapters and five poems’ opened this weekCaste Aside: the Manual Scavengers of Tamil NaduWe use cookies to understand how you use our site and to improve your experience.

Destiny Deacon is a descendant of the KuKu (Far North Queensland) and Erub/Mer (Torres Strait) people. Offering a nuanced, thoughtful and, at times, intensely funny snapshot of contemporary Australian life, Deacon reminds us that ‘serious’ art can also have a sense of humour.The National Gallery of Victoria acknowledges the Traditional Custodians of MelbourneDestiny Deacon is one of Australia’s boldest and most acclaimed contemporary artists. Featuring more than 100 multi-disciplinary works made over a 30-year period, the exhibition includes the premiere of newly commissioned works created with artist and long-term collaborator Virginia Fraser. Titled Deacon , the retrospective features work in a variety of media, spanning 30 years of the artist and political activist’s production. As one exhibition was titled, these girls are 'smiling dangerously'. Numerous early video works created with the late Wiradjuri/Kamilaroi … Featuring more than 100 multi-disciplinary works made over a 30-year period, the exhibition includes the premiere of newly-commissioned works. But what exactly is going on here?

One of Australia’s most acclaimed contemporary Aboriginal artists, Destiny Deacon, will be celebrated in an exhibition shown at the National Gallery of Victoria’s (NGV) re-opening. Type a minimum of three characters then press UP or DOWN on the keyboard to navigate the autocompleted search resultsMap pins are available via the tab key in a list after the map.Destiny Deacon is one of Australia’s boldest and most acclaimed contemporary artists. Last laughs is one of Deacon's best works. Since the 1990s Deacon's work has been primarily involved with performative photography, exploring Indigenous identity with often provocative and humorous imagery that mocks and satirises clichéd and racist stereotypes. Destiny Deacon Come on in my kitchen 2009 299.2009 | Collection highlight Destiny Deacon Arrears windows 2009 300.2009 Destiny Deacon Portrait: Janet Burchill & … Biographical Data b. Featuring more than 100 multi 16 works Melbourne Noir Destiny Deacon; Virginia FRASER I don't wanna be a bludger Destiny Deacon; Michael Riley Abi See Da Classroom Destiny Deacon; Virginia FRASER Smile Destiny Deacon Pacified Destiny Deacon Where's Mickey? Numerous early video works created with the late Wiradjuri/Kamilaroi photographer Michael Riley and West Australian performance artist Erin Hefferon are also on display.NGV Australia, Federation Square, Flinders Street and Russell Street, Melbourne, Victoria, 3004Disabled access available, contact operator for detailsPlease enable JavaScript in order to get the best experience when using this site.Dialog Start. She has shown her work in over 120 exhibitions in Australia and internationally. Her chaotic worlds, where disgraced dolls play out sinister scenes for audience amusement, subvert cultural phenomena to reflect and parody the environments around us. Yet in Deacon's twisted currency, one … An ‘arte povera’, reclaimed for a new revolution today, must redirect attention onto the histories and structures that shape its productionWhen it comes to depicting India’s underclass, politics is more important An artist, broadcaster and political activist, her performative photographs, videos and installations feature members of her family and friends as well as items from her collection of ‘Aboriginalia’ – assorted black dolls and kitsch. It may be useful for anyone planning a visit the exhibition, in particular those with sensory sensitivities, autism or disability.NGV School and Community Support ProgramsA descendant of the Kuku and Erub/Mer people from Far North Queensland and Torres Strait, Deacon is internationally known for a body of work depicting her darkly comic, idiosyncratic worldview. At first glance it is also one of her least disturbing—girlfriends dressed up for a bit of fun. Jokes mostly rely on mocking the weak—in humour, cruelty is given free reign. Destiny Deacon (born 1957) is an Indigenous Australian photographer and media artist.

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